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                  <text>This collection presents photographs of the Burford family during holidays, vacations, and everyday moments in the latter half of the 20th century. Events depicted in the collection include Christmas gatherings, a family vacation to an amusement park, a farm festival, a wedding, a college graduation, a family reunion, and everyday snapshots of human and canine family members. These photographs were taken by members of the extended Burford family, primarily Jackie F. Burford, Sr.; all images were captured on film. Most photographs in the collection were taken in West Virginia, with a few taken in Ohio and Tennessee. The collection spans 1963 to 1997. </text>
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Portrait photography--West Virginia--20th century.</text>
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                <text>A woman in her mid-20s poses for a portrait. Her brown hair is in a slightly teased style; she wears a light blue, ribbed, short-sleeved shirt and a long, gold watch-medallion necklace. She looks off to the right with a slight smile. The out-of-focus, partially obscured background contains a television set and what appear to be two wooden clocks, one atop the television set and another mounted on the wall above it. </text>
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                <text>Image copyright is the property of Mary Burford. Please contact Mary Burford for permission to reuse this image.</text>
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                <text>Family Tree Maker. (2025). &lt;em&gt;Mary Browning&lt;/em&gt; [Private family tree]. &lt;em&gt;Family tree maker 2024&lt;/em&gt; (Version 25.0.0.1164). The Software MacKiev Company. ;&lt;br /&gt;Rochester Institute of Technology College of Art and Design. (n.d.). &lt;em&gt;Identification: Chromogenic&lt;/em&gt;. Graphics Atlas. &lt;a href="http://www.graphicsatlas.org/identification/?process_id=88"&gt;http://www.graphicsatlas.org/identification/?process_id=88&lt;/a&gt; ; &lt;br /&gt;T. Browning, personal communication, March 14, 2026.</text>
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                <text>Mary Burford poses for a portrait taken by her husband, Jack, for a photography course. </text>
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Photographed: 7/28/2022</text>
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Graffiti artists--Michigan--Detroit.&#13;
Graffiti artists--Portraits.&#13;
Commemorative works.</text>
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                <text>Portrait painting--United States--20th century. [LCSH]&#13;
Women in art [LCSH]&#13;
Surrealism [LCSH]</text>
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                <text>Portrait of a melancholic woman, from the neck up, in acrylic on paper, mounted on thick, textured, camel-colored card stock (not pictured). This painting is done in the style of Expressionism, using unrealistic colors; the woman's skin is painted in shades of pinks and purples, for instance. She is facing slightly away from the viewer, left at a 3/4 angle. The figure has a thin, angular, waif-like face, and pointed chin, with a long, thin nose and a pointed chin and full lips. Her irises and pupils are a stark, solid, extremely deep blue color, very nearly black, and the outline of her eyes is suggested in a slightly lighter blue. She is resting her right hand against her right cheek, palm out, and fingers slightly curled. The thumb appears to run underneath her chin, her little finger resting just beneath her eye, the tip of her ring finger just below and to the right of her nose, and her middle and index fingers resting near the right side of her mouth. The woman's hair is full, long, straight, and straw-colored, with some yellow highlights near the crown of the head. There's a bright yellow area on the top of the woman's right shoulder. There is no evidence of clothing, though, and it's unclear what the yellow area is meant to represent. There are some green tones on the woman's neck, perhaps representing shadow, but her underlying skin color is still purple. The paint is applied thickly in this painting, particularly in the woman's hair. Different shades of pink and purple are used to create the contours of the face and imply shadows. The painting was done on paper taken from a pad, and there are both tabs along the top, near the crown of the head, and hole punches along the left side, three of which are visible. The bottom three centimeters of the paper was folded under along the bottom edge of the paper to make the working area smaller. The paper is torn inward at the middle hole punch and there are three creases running left to right across the paper in even increments where it must have been folded at one time. One crease runs across the woman's forehead, under her bangs. The second crease runs just under the bridge of the woman's nose and just below her eyes. The third crease runs through her wrist and just beneath her bottom lip, through the yellow paint on her right shoulder. Additionally, there's a section of paper missing from the top right of the painting, slightly impacting the depiction of the woman's hair.</text>
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                <text>Medium: acrylic on paper</text>
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                <text>Extent: 20.2 x 24.5 cm</text>
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                  <text>Visual Artwork by Janice Gillett</text>
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                  <text>Various pieces of artwork by Janice Gillett in pencil, ink, pastels, and watercolor. Artwork spans her life, from young adulthood to her last years. </text>
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                <text>[Pencil portrait of a woman and her alternative mirror image]</text>
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                <text>Medium: pencil on paper</text>
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                <text>Extent: 35.5 x 43.3 cm</text>
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                <text>Pencil portrait of a woman with long, straight hair and her alternate, Medusa-inspired mirror image reflected along the horizontal axis. The woman's eyes are looking straight at the viewer, with her head turned somewhat to her right in a 3/4 angle pose. She has thin eyebrows, full lips, a straight, long nose, strong jawline, and somewhat pointed chin. The portrait only covers the woman's head and the very top of her neck. Shading is employed to give definition and contour to the woman's face. She has a slight dimple on her left cheek (on the right cheek, as seen by the viewer).  Her hair is parted down the center and on each side of the part, the hair is a single mass with no delineation. The woman's Medusa-like reflected image shows her in the same pose, mirrored across both the vertical and horizontal planes. The Medusa-figure looks much the same as her "twin," but her pupils are vertically slanted and reptilian-looking. She also has a rodent's paw and tail protruding from her lips--probably a mouse. On the left side of her head, one section of her hair morphs into the body and head of a snake. The snake is ready to strike, mouth open, fangs barred. The snake's underbelly is striped width-wise while its back is striped lengthwise in a pattern corresponding to the way the Medusa's hair is depicted, in wide sections. The paper used here is off-white, perhaps somewhat more so than originally. The paper is thin and quite transparent and there is a crease running slantwise from one side to the other in the lower half; it runs across the Medusa-like woman's forehead and the left side of the crown of her head. There are some large tears in the bottom-left corner of the paper and other, smaller tears in several places near the edges as well. There are some small, gold-colored spots of discoloration and there is some tape-residue along the bottom edge, along the center and also in each corner.</text>
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                <text>Portrait drawing--United States--20th century. [LCSH]&#13;
Women in art [LCSH]&#13;
Surrealism [LCSH]</text>
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                  <text>A collection of public murals located in and nearby the historic Eastern Market district of Detroit, Michigan.</text>
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                  <text>Cameron Socha</text>
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                  <text>Wayne State University</text>
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                  <text>Joan Beaudoin</text>
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                <text>Salvation material</text>
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            <name>Identifier</name>
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                <text>DMM-2022-00012</text>
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                <text>Address: 1798 Erskine St., Detroit MI&#13;
Coordinates: 42.351289, -83.040629</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Ijania Cortez</text>
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                <text>Murals in the Market</text>
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            <name>Date</name>
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                <text>Created: 2019&#13;
Photographed: 2022-07-28</text>
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                <text>Medium: paint on plywood&#13;
Extent: 144 x 130 inches</text>
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                <text>Still Image</text>
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                <text>Mural painting and decoration, American--Michigan--Detroit--21st century.&#13;
African American men in art.&#13;
Portrait painting--African Americans.</text>
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                <text>Two male figures depicted back to back against a peach-colored background. Both figures are African American men with beards and short, cropped hair. The figure on the left is looking toward the viewer while the figure on the right is looking over his right shoulder toward the left side of the mural. The two figures are painted using different color schemes. The one on the left is painted in cool tones, and is depicted wearing a grey T-shirt. The figure on our right is painted in warm colors, and is depicted wearing a yellow-orange T-shirt. Note that the mural's colors have changed over time with their earlier tones being more vibrant. This is particularly noticeable in the background, which was originally a bright red. Some of the warmer tones, too, have become less rich.&#13;
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                <text>An early image of the mural can be viewed at the artist's Instagram account: https://www.instagram.com/p/B24tH9PlYaN/&#13;
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